August 19, 2015 — August 23, 2015

On August 10, 2015 Sunde stood a whole tidal cycle (thirteen hours) in the sea at Katwijk; the water rose up to her neck and receded to her ankles. Over 40 members of the public joined her, sometimes for hours. Jonas de Witte filmed the entire performance and the completed durational video piece will premiere from 19-23 August at Pakhuis de Zwijger, Marineterrein, Oude Kerk en de Appel arts centre. The video exhibition is part of the cultural program of SAIL Amsterdam.

Marineterrein, Kattenburgerstraat 5

  • 19 August: 10.30 - 21.30
  • 20 August: 10.30 - 16.00 uur, and 19.00 - 21.30
  • 21 August: 10.30 - 17.00 uur, and 20.00 - 21.30 uur
  • 22 August; 10.30 - 21.30 uur
  • 23 August: 10.30 - 21.30 uur

Oude Kerk, Oudekerksplein 23

  • 19 until 22 August: 10.00 - 18.00
  • 23 August: 13.00 - 17.30

Pakhuis de Zwijger, Piet Heinkade 179, in the meetingroom (2nd floor)

  • 19, 20 and 21 augustus: 11.00 - 17.00

de Appel arts centre, Prins Hendrikkade 142

  • 24/7 (can be seen from the street)

About Sarah Cameron Sunde
Sarah Cameron Sunde has been making theater and interdisciplinary live art performances in New York City and beyond since 1999. Her work revolves around questions of time, bodies-in-space, efficiency and awareness. She leads the interdisciplinary live art collective Lydian Junction with whom she was recently in residence for three weeks at The Watermill Center (Robert Wilson’s Laboratory for Performance). Sunde is known for her leadership as the Deputy Artistic Director of New Georges and her work as Jon Fosse’s American-English director/translator (five critically acclaimed U.S. debut productions since 2004: Night Sings its Songs, deathvariations, Sa Ka La, A Summer Day, Dream of Autumn). She also developed and directed the original productions of Jessica Dickey’s The Amish Project and Marielle Heller’s The Diary of a Teenage Girl, now an indy film. She is a Core Member of Theatre Without Borders.